You can also make things appear louder by dynamically compressing them to be more consistently loud. The overall LUFS value is set on the average of the whole piece. If you want very quiet whispering, you can have that, too. If you want a really loud explosion, you can have one. That’s important, because it lets you be rather more creative with your audio’s dynamic range. LUFS measures the overall sensation of loudness over a length of time, not the electrical energy of the peak loudness. Then, ask the audio editor to output it to -16 LUFS. Or, mix it to whatever you’re comfortable (dB, PPM, VU), but make sure everything sounds the same level to your ears. When it’s time to export your final podcast, ask your audio editor to output it to -16 LUFS. So, set your microphones and other things to that level. We’d suggest you mix to the broadcast radio standard (-23 LUFS in Europe, -24 LUFS in the US), which is how most audio editors work. This number is most useful for setting microphone levels. That’s the average loudness over the last three seconds. If you’re mixing audio, you want to be looking at the “short-term” number. That’s the average loudness from the beginning to the end of your podcast, or after a defined time window. If you have a LUFS meter in your audio editor - Hindenburg has one - you’ll see a bewildering amount of numbers.Īpple asks for the “overall loudness” to be -16 LUFS, and most meters will call this the “integrated loudness”. If you want a simple way of measuring a podcast after you’ve mixed it, the website loudness․info will measure the loudness of your music or podcast.įor monitoring levels while you mix, that’s a different story. Other forms of metering are concerned with “how loud is this bit right now,” which is not the same thing. LUFS is a measure of average loudness - “how loud is this audio overall” - and a perceptive feeling of that loudness. You don’t because LUFS is a measure of something rather different. Tip: Spotify and YouTube ask for -14 LUFS but most podcasts still produce a -16 LUFS file I use a PPM or a VU meter to measure my audio level. Tip: LUFS is expressed in negative numbers, so -26 LUFS is quieter than -16 LUFS. So, most of them will sound as loud as one another: and, importantly, will work alongside the audio alerts on your phone.īroadcast radio and television uses -24 LUFS in the US, -23 LUFS in the rest of the world: so if you were to take an audio file made for broadcast radio and upload it as a podcast, it would be too quiet. Most podcasts use use -16 LUFS in our tests. This is the loudness level that Apple Podcasts ask for. The podcast industry has mostly standardised on -16 LUFS. LUFS is a perceptive measurement: “how loud does this sound to your ears”? How loud should podcasts be? It’s also not normalisation, which typically increases the loudest bit of the audio in a clip to be as loud as it can possibly be. It’s not dynamic compression, which alters the sound of the audio to be consistently the same volume. LUFS describes a measurement of loudness over a period of time. 264 and you may select any of the Pre-set.ĭo you want hands-on help with learning Adobe Premiere Pro or whichever software you’ll be using for editing? Book a coaching call with me here.(Fill this in now you won’t lose your place!) Once done editing the audio, trimming, and adding intro and outro, hit FILE – EXPORT – MEDIA. Note: You may use DUCKING, it lowers the volume of audio clips, or an entire track, so that you can hear the audio in a different track.ħ. Go to ESSENTIAL SOUND – LOUDNESS – hit AUTO MATCH Adjust the LOUDNESS of the INTRO AND OUTRO sound. To EXPORT RAW AUDIO – go to FILE – EXPORT – MEDIA. Note: Once done, you may opt to EXPORT the RAW AUDIO (use this raw audio to edit your PODCAST AUDIO FILE into AUDITION or any other AUDIO editing Software). This allows you to locate timestamps much faster. ***WAIT until you trim through the whole conversation before deleting though. To delete the blank space press the V key or the selection tool and go to the empty space and press DELETE. TRIM or CUT unwanted parts, simply PRESS the C key or select the RAZOR TOOL key. Fix some of the AUDIO – Go to AUDIO section – ESSENTIAL SOUND – LOUDNESS (AUTO MATCH)- REPAIR – Clarity – EQ (PODCAST VOICE)ĥ. Drag and drop the recording file into the TIMELINE panel to create a SEQUENCE.Ĥ. Go to the Project Panel and IMPORT your zoom recording video file, intro, and outro files.ģ.
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